It’s almost a breathing effect, which works well with the idea of the Vox Humana (“human voice”) and corrects the relative stasis of the original, so this iteration of the emulation is roughly a 3.0! I also like the bizarre, strolling and wonky riff in the beginning – it’s playful and vaguely Frankenstein or Addams Family. I like to hear how some of the notes – which are stopped, so on/off by nature – are pulled through the dynamic envelope of the sampler to create the impression of the notes getting louder or softer. My goal was to make a first test of how some of those sonics may behave, how they could be arranged, how I may need to RX them, and get a sense of their emotive character. This sketch is an outline of a new Vox Humana pipe organ sample instrument I built. What were you hoping to achieve with the sketch? Then I shaped the sounds using the NI Solid EQ and the Replika XT, which I like for its sheen, brilliance, and granularization of the upper frequency range.” I found I had to give in a bit to its own processual chaos, a submission I sort of enjoyed, theoretically. However, it was difficult to tell what was being manipulated and how. That is essential for a sonically specific project such as this one. “I also used Form, which I like because I can load my own sample into the synth to give me more flexibility on the sound source. The algorithm is faster than other samplers and I think the most unartifacted of the sampler instrument plugins I have used. Kontakt is a staple tool of mine because it allows me to play and isolate combinations in ways that would not be possible to do in real-time. In my sketch, I primarily used Kontakt as a way to create instruments out of the libraries I have been recording and collecting. Tell us about the Sketch – how did you create the organ sound? NI products used: KONTAKT 6, FORM, SOLID EQ, REPLIKA XT. Avoiding simple melodies or resolutions, Coverdale sets the scene for a deep and meditative piece. Soft, drifting tones slowly gather momentum, fomenting into a heavy cloud of harmonics and splattered, flute-like phrases. Opening with groaning, guttural pipe sounds, she manipulates her source with subtle use of EQ and delay, blurring the boundary between real and synthetic. Making use of her own sample libraries, Coverdale’s sketch reveals some of the fundamentals of her practice. Currently based in Montreal, her latest solo release is 2017’s Grafts, which blends glowing keys and modal improvisations with subtly shifting textures.
WHITE OUTLINE MASSIVE NATIVE INSTRUMENTS HOW TO
As well as several solo records on experimental labels like Umor Rex and Boomkat Editions, Coverdale’s catalogue includes collaborations with an Estonian choir, pop artist How To Dress Well and drone maestro Tim Hecker. Growing up in rural Ontario, she became the organist and music director at her Estonian church when she was just 14, and her interest in the technology of the pipe organ continues to inspire her experiments in blending electronic and acoustic elements. It is native of the mountains of Central and Southern Europe introduced to Britain many centuries ago.Kara-Lis Coverdale’s ethereal, sample-based music is a product of her rigorous classical training as well as her interest in minimalism, ambient, computer music and the history of synthesis and sampling. The foliage is very tolerant of salt-laden winds, hence it is the most successful planted tree in Outer Isles like Orkney and Shetland. The creamy-white wood is used for furniture-making, veneers and in musical instruments. The leaves may be blotched by a fungus called 'tar spot', which is harmless. The join between the 2 winged fruits or 'samaras', each 3.5-5 cm long, forms a right-angle, or less. Sprays of yellowish-green, 5-petalled flowers hang downwards, appearing with the leaves in May. It was originally planted but is now widely naturalized from seed in woods, plantations and hedgerows. The grey bark is fissured and turns pinkish-brown with age. It grows up to 35 m in height and has a massive, rounded outline and dense foliage. Sycamore is an introduced deciduous tree, with a stout trunk. The leaf-stalks, 10-20 cm long, are often red. They are green and hairless above, paler and hairy only on the veins below. The leaves are opposite, 7-16 cm long, with 5 coarsely-toothed lobes.
0 kommentar(er)
